In Rio, painted signs are plentiful and varied, mainly because signs identify
all kinds of businesses. Most signs are simply ordinary and just fulfill
their function: identifying businesses to passersby. These signs don't
catch the eye any more than an industrially produced sign.
Some painted
signs stand out from the landscape due to their mediocrity (lettering
painted quickly, not always legible, sometimes with grammatical errors),
simplicity, or embellished style (huge lettering, painted in bright colors,
covering an entire wall).
Other signs,
which are quite rare, stand out for their artistic quality.
Not
long after moving to Rio, I was amazed to discover, right next door, a
small restaurant's painted sign that displayed the house specialties.
The colors formed a perfect harmony. The lettering seemed to stand out
in relief. Words were no longer just words but images in a painting, which
was signed, "Paulinho Artes." Soon, I realized that the works
of Paulinho were scattered throughout the city. I started to see Rio as
a sort of very large, yet disorganized museum.
Wanting to
know more, I called Paulinho who warmly invited me to visit his workshop,
located in the Madureira neighborhood, the land of funk and samba, a Mecca
of street trade. Since the bus dropped me off several blocks from the
workshop's building, I could confirm en route that Paulinho's talent left
little room for competition. Most of the neighborhood's businesses with
painted signs had used his services.
It is difficult
to miss Paulinho's workshop. He has put up colored placards displaying
prices, across practically the whole front, all the way up to the sidewalk
(prices are calculated by the square meter for
advertising placards or signs, starting from 2.99 reais at Paulinho's,
equivalent to 1.50 euros). Also displayed are slogans such as Sem propaganda,
não ha sucessso (without advertising, there is no success)
or even Você fez faixas e não vendeu seu produto BEM FEITO
! Quem mandou fazer com quem não sabe (You had advertising
made and you haven't sold your product. GOOD JOB! Who told you to go hire
someone incompetent?) .
Without
a doubt, Paulinho's talent is his best advertising, but the market is
competitive. Not only are advertisement painters numerous in Rio but one
must also take into account the competition from mechanized methods, like
adhesive signs. While observing businesses, I thought I could tell that
in Rio painted advertising was losing ground to adhesive and printed signs.
However, Paulinho explained to me that this competition wasn't to be feared,
especially due to the prices of painted advertising, 30% less according
to him.
Paulinho's
workshop is not very big but it's perfectly well organized. Two large
work tables, one for him, the other for his apprentice, Dom. In one corner,
brushes and paint are kept. In the back of the workshop, there's a small
table where blank canvasses are stored and unfinished orders are hung.
There are
plenty of orders; Paulinho and Dom work without rest to finish orders
from one day to the next. Dom takes care of the simplest signs, those
without designs or elaborate typeface. However, it's certainly not for
a lack of talent as Dom designs magnificent t-shirts and samba school
shirts.(click
here to see Dom's t-shirts and designs)
Paulinho's
unique style, which some people try to copy without success, is the result
of his talent and over 4 years of improvement and discovery, as well as
observing the works of other sign painters in Rio. He admits to being
especially influenced one of them, Odaïr, who doesn't seem to be
working any longer. Therefore, I wasn't able to find any of his work in
the streets of Rio. He is also influenced by some graffiti artists, particularly
for lettering relief.
Paulinho
has never had any professional or family training. His taste and talent
for painting are gifts that he has had since childhood. He learned sign-making
techniques by watching painters work.
In
Mexico, commercial painters are called rotulistas. In Brazil, there is
no synonym. Consequently, I asked Paulinho how he described his profession.
He responded clearly: he is an artist and one must make the distinction
between artists and letristas, lettering painters with specific professional
training, who are satisfied with painting letters without any artistic
effect.
I completely
understood the difference between a letrista and an artist while watching
Paulinho work. First, he traces a canvas with chalk on the wax cloth that
will be painted. He explained to me that he rarely worries whether the
letters are exactly the same size because what counts is the general impression
and equilibrium.
Generally,
a client's order is made up of information and slogans that will be featured
on the sign or advertising placard, as well as the size of the advertisement.
It is up to Paulinho to decide on the composition, colors, typography,
while respecting a double limitation: on one hand, he must respect a style
unique to each business or service; on the other hand, the sign must attract
the passer-by's attention, while rapidly communicating all of its information.
Therein lies
Paulinho's talent: while respecting these technical limitations, he is
able to make each of his signs a work of art.
For
the sign displaying a church's services, Paulinho used a white background,
which is more sober than the yellow background. He avoided using any designs
or symbols to emphasize the solemnity. The most important information,
the church's name (In Brazil, there are a large number of different churches)
is in red lettering, with yellow underlining, standing out perfectly from
the rest of the somber lettering. The message Jesus Cristo é o
Senhor (Jesus is the Lord) could only be located at the top of the sign.
The information about services is quite legible: the hours in black, the
day (3a feira: Tuesday) and the type of service in blue. To add a bit
more life and attract passer-bys' attention, Paulinho painted a large
exclamation mark after the saying Venha, Jesus tem uma benção
para você (Come, Jesus has a blessing for you). Moreover, by inserting
Cultos in a type of inclined pennant, as well as the two words Jesus Cristo
" é o " Senhor, he broke up the sign's horizontal movement.
Paulinho
Artes
Rua João Vicente, 403
Madureira
21340-020
Rio de Janeiro - RJ
Tel : +21
2464 6671
e-mail: paulinhoartes@yahoo.com